Grab the Kleenex. I came across this on the web, and if you're an animal lover (or maybe even if you're not) this will touch your heart.
Friday, October 23, 2009
Sunday, October 18, 2009
YUM - York Street Dallas
Monday, October 12, 2009
Monday Photo Shoot #59 - 1 Subject, 4 Perspectives
The assignment for Carly's Monday Photo Shoot this week is 1 subject, 4 perspectives. If you want to participate too, click HERE.
I knew right away what pics I wanted to post for this: four shots from my numerous attempts to photograph one of the most beautiful churches I've ever seen: the incredible San Francisco de Asis church in Taos, NM. Many artists have attempted to capture the beauty of this amazing structure, including Georgia O'Keefe, who painted it many times. I am drawn to this place. I don't know how to explain it, but when I see it, my eyes are ravenous for it, and no matter how long I look, I can't get enough. I spent an inordinate amount of time trying to get good shots with my point and shoot when I was in Taos in September, going back again and again, at different times of day and in different light, trying to get some shots that would do it justice. This wasn't easy in part because this is an active church; a funeral and a wedding were held there on the first day that I took pics. I could spend days here, shooting, and when I get a digital SLR, I'll go back, with a tripod, and do exactly that. The shot I want eludes me. In the meantime, though, here are 4 different perspectives of this beautiful place:
Sunday, October 11, 2009
Friday, October 09, 2009
Friday night
he was playin' real good, for free...
A man sat at a metro station in Washington, DC and started to play the violin. It was a cold January morning in 2007. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousands of people went through the station, most of them on their way to work.
Three minutes went by and a middle aged man noticed there was a musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule. A minute later the violinist received his first dollar tip;
a woman threw the money in the hat and, without stopping, continued to walk.
6 minutes: A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.
10 minutes: A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.
In the 45 minutes the musician played, only 6 people stopped and listened for a while. About 20 gave money but continued to walk at their normal pace. He collected $32. When he finished playing and silence took over, no one noticed. No one applauded, nor was there any recognition.
No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.
This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people's priorities. The questions raised in a common place environment at an inappropriate hour, do we perceive beauty? Do we stop to appreciate it? Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be this: If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made....how many other things are we missing?
Saturday, October 03, 2009
settled in...
Nevertheless, Chris got him home and put him in their garage, where he had to stay because they have three cats of their own. The next day Chris called and told me about the cat he'd found. He asked me if I'd stop by and check him out. I did, and I ended up bringing him home with me. "I'm not keeping him!" I said, "but I'll foster him until we find him a good home".
Of course the rest is history. Ike (named that because Chris found him the weekend of Hurricane Ike) has turned out to be a wonderful cat. A year later he's neutered, current on his shots, well fed, and apparently quite happy. And on this rainy fall night he's curled up on the couch just across the room from me, secure in the knowledge that he's found the place where he belongs.
Friday, October 02, 2009
the bronze pour at Shidoni
Thursday, October 01, 2009
Beauty and The Beast...
When Mike Wallace caught up with him after he'd fled to France in 1977, here's what Polanski had to say about Samantha in the days before the internet and Google Images: "Well since the girl is anonymous and I hope that for her sake she will be, I’d like to describe her to you. She is not a child, she’s a young woman, she had testified to a previous sexual experience, she was not unschooled in sexual matters, she was consenting and willing, whatever I did was wrong I think I paid for it; I went through a year of incredible hardship, and I think I paid for it…"
I have strong feelings about this, but I wasn't going to post about it. Why not? Because I haven't the heart to read comments defending Roman Polanski, should anyone make them. Which isn't to say you shouldn't make them, if you feel that way. Just that I get a sort of sick feeling, reading them. But after I saw Robert Harris' OpEd article in the NY Times defending Mr. Polanski, I was so disgusted I decided to go ahead and post.
Except that I found myself strangely at a loss for words. And so I decided to post this excerpt from Steve Lopez' September 30th article in the LA Times, in which he comments on quotes from Samantha's grand jury testimony:
Q: Did you take your shirt off or did Mr. Polanski?
A: No, I did.
Q: Was that at his request or did you volunteer to do that?
A: That was at his request.
She said Polanski later went into the bathroom and took part of a Quaalude pill and offered her some, as well, and she accepted.
Q: Why did you take it?
A: I don't know. I think I must have been pretty drunk or else I wouldn't have.
So here she is, at 13, washing down a Quaalude with champagne, and then Polanski suggested they move out to the Jacuzzi.
Q: When you got in the Jacuzzi, what were you wearing?
A: I was going to wear my underwear, but he said for me to take them off.
She says Polanski went back in the house and returned in the nude and got into the Jacuzzi with her. When he told her to move closer to him, she resisted, saying, "No. No, I got to get out."
He insisted, she testified, and so she moved closer and he put his hands around her waist. She told him she had asthma and wanted to get out, and she did. She said he followed her into the bathroom, where she told him, "I have to go home now."
Q: What did Mr. Polanski say?
A: He told me to go in the other room and lie down.
She testified that she was afraid and sat on the couch in the bedroom.
Q: What were you afraid of?
A: Him.
She testified that Polanski sat down next to her and said she'd feel better. She repeated that she had to go home.
Q: What happened then?
A: He reached over and he kissed me. And I was telling him, "No," you know, "Keep away." But I was kind of afraid of him because there was no one else there.
She testified that he put his mouth on her vagina.
"I was ready to cry," she said. "I was kind of -- I was going, 'No. Come on. Stop it.' But I was afraid."
She said he then pulled off her panties.
Q: What happened after that?
A: He started to have intercourse with me.
At this point, she testified, Polanski became concerned about the consequences and asked if she was on the pill.
No, she told him.
Polanski had a solution, according to her.
"He goes, 'Would you want me to go in through your back?' And I went, 'No.' "
According to her, that didn't stop Polanski, who began having anal sex with her.
This was when the victim was asked by the prosecutor if she resisted and she said, "Not really," because "I was afraid of him." She testified that when the ordeal had ended, Polanski told her, "Oh, don't tell your mother about this."
He added: "This is our secret".